The camera work and style is very straight forward however, a lot of hots seem to linger longer than they should. The one scene when Ana (I think it was Ana), was playing dead and scared Isabel was a very moody scene and brought light a very dark feeling. This movie has a sort of depressive feeling to it. The framing of the farmhouse, which Isabel goes to and finds the man holed up makes for a very effective scene set-up, but I think the whole piece just waits to long to get to the subjective point. The movie does take advantage of its setting to create a haunting mood, but there is something very offbeat about the director's approach. Obviously that's Erice's style I guess, but it's not for my taste. I would have made this film very different.
Just like in any other post-war drama there needs to be a good hook and that seems to be missing I think. I really want to explore this film deeper, but since I don't have it on hand to watch again I can't do so. If there was one thing I would switch around it would be the relationship between the two main characters. There needs to be a different conflict and the subjective nature of this piece follows a path that is darkly lit and not overly effective to grab my attention anyway. For some reason I am reminded of surrealist images in watching this movie. Maybe it's the time period, but this movie has that awkward early 1970's feel to it, which is not a bad thing however, it does not work for me. I will say though that the use of musical influence on several scenes does help in adding to the war torn atmosphere. I still haven't seen the ending, or at least I don't think I did. The last thing I remember is the little girl giving the man in the farmhouse an apple. I haven't seen past that point, so it's tough to categorize the rest of this movie.
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