400 Blows (1959), Directed by Francois Truffaut... A misunderstood youth by Brad.

To start off with "400 Blows" is an effective piece of French filmmaking. The atmosphere and attitudes of society are reflected in this film of adolescence and misunderstanding the nature of youth. There is a message to be learned from "400 Blows". It is a message that carries throughout the years. Attention is something that everyone craves especially kids and this film shows us that with Jean Pierre Leaud's portrayal of Antoine. Misunderstood by his parents Antoine, turns to doing bad things, which includes stealing, lying and running away from home. Other films of this time period reflect social views as in "400 Blows", but this film does something more than those others because it is more on a personal level of feeling. Big hollywood blockbusters don't focus as much on just the small elements, but "400 Blows" does. We get to see a darker side of youth that is misled and unappreciated by those who should appreciate it. Those being Antoine's parents and teachers! Here's a trailer for the movie to give you a small taste...

"400 Blows" displays a very unique approach in terms of camera work as well. A lot of different angles and panning shots were used as well as interesting tracking shots such as the intro credit sequence with the drive through the city. Also the scene at the carnival with the round machine spinning around, the point of view shot was almost dizzying. The expression of the world and the child's life becomes enhanced by the angles and techniques with which it is photographed. Films of the late 50's and early 60's display their own meaning, but with others such as "Rebel without a Cause", "Beat Girl" and "Blackboard Jungle" among others they have that Hollywood feel to them, whereas this film feels more personal on a level that can relate to each young individual who sees it. Here's a trailer from "Blackboard Jungle" to show a comparison to Hollywood style:

The instinct of our nature is that of what we make of it. Film theory and art form serve as passage ways for expression through words and demonstrations in creativity. The style of montage is something that is present also in "400 Blows". The scenes near the end of the film are good examples of montage when Antoine is at the disciplinary school. The camera work was effective as was the music score to accompany the feeling of emotion in choices made by both the parents and Antoine. This is a scene that is of particular importance to show a sense of montage:

From beginning to end there is no shortage of a moral message. Truffaut's film will stand as a fine dramatic effort that probes deep into the mind and the soul. Aside from the directing the acting is first rate all around. Everyone performs their role to the fullest especially the mean spirited teacher who constantly abuses Antoine. If there's anything else to be said it is that this film goes deeper than the traditional confused adolscent movie of this era. Although today's younger generation most likely has not seen this film it is aged a little, but still carries a similar meaning to today's youth about right and wrong.